Before it seems prudent to define the video art by Nestor Olhagaray Llanos for whom the video is an art, "trans." Why Trans? As an art of transgression, transit, and finally transfer defector.
First the video to become an independent art, must break their ties with the television, this way to be on the same level of autonomy it. Thanks to this, the artist could make the video "an investigative and experimental instrument to respond to the insatiable spirit of creation that begins with the willingness to revise and reinvent the language" (The video-art net art Nestor Olhagaray Llanos, page 9).
Second traffic is an art as it realizes that his situation is not established self-sufficient, such as painting or photography, but as a transit space required for all visual arts and audiovisual this to be contemporary with the post-and trans-avant-garde idea. In line with this we can say that the video is an art in constant movement, ie an open space for creation.
The third point relates to the video as a renegade art, refers to the ability of it to work with the image desrealizante through splitting, farce, parody, and in general, thanks to a large number of procedures that challenge to the plausible. In addition, we understand that produces video simulation, ie, not satisfied with identifying a real model, however, is in constant pursuit of an infinite reality. For all this, the absence of an object to be imitated, we realize that ultimately a "picture forwarded to another image, an image is copied and model at a time, the images of all time are listed and confused." (From video art to the art of Nestor net Olhagaray Llanos, page 9). Inally
the transfer, which is nothing more than using video as a tool for problematizing the appearance of images and with them the models, thus puts into question all the paradigms. In addition, the video as all art is in the virtual and the virtus is nothing that "this proposed mapping operators of art, to move between the palimpsest models ranging from the images and ideas" (from video art net art Olhagaray Nestor Llanos, page 10).
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